Not to be confused with Tony Tallarico.

Tony Williamson

18 December 1932
Manchester, England
United Kingdom

19 June 1991(1991-06-19) (aged 58)

Television screenwriter

Tony Williamson (born in Manchester 18 December 1932, died 19 June 1991) was a prolific British television writer, most active from the mid-1960s to the mid-1980s. He wrote primarily for the action-adventure and espionage genres. Perhaps because of his early involvement in The Avengers, he often found work on shows that featured fantasy adventure, rather than the kitchen sink realism that had arisen in Britain at the start of his career. Series with extraordinary lead characters in unusual circumstances, such as Department S, Jason King, Randall and Hopkirk (Deceased) and The Adventurer, dominated his output.
He has been credited with creating the short-lived dramas Intrigue[1] and Counterstrike, as well as being a key player in the development of Adam Adamant Lives!.
Williamson’s writing career has its roots in his obligatory national service as a young man. While in the Royal Air Force, he began a lifelong association with fellow airman, Dennis Spooner, by writing some amateur efforts. After the war, he accepted a position as a news correspondent for CBS in Canada. On the side, he wrote at least twenty stage plays that were later produced on various anthological television programmes.[2]
When he returned to Britain, he flirted with soap operas like Coronation Street[3] and Compact. However, by the mid-1960s, he embarked upon his career of writing spy fiction with the sale of a script to The Mask of Janus. Though he also contributed to its spin-off, The Spies, Williamson swiftly moved on to a more fantastic espionage setting with his first sale to The Avengers in 1965. He wrote a few more scripts for the Emma Peel era before being tapped by Sydney Newman to script edit Adam Adamant Lives! When Newman cancelled that show, he returned to The Avengers, for which he was a dominant writer of the show’s Peel-less final season.
Following the demise of The Avengers, he worked on a number of programmes on which Dennis Spooner held some measure of creative control as creator or story editor, for ITC Entertainment. Projects like Randall and Hopkirk (Deceased), The Champions, and Department S all came to accept his script submissions following Adamant!. His initial sale to Department S was particularly significant in that it began a series of sales involv